Deiva Thirumagal

Hai,

Deiva Thirumagal …. a sensational subject handled so effectively with full packed love between Father and daughter. Usually we would have seen clipping for some best scene at the mid of the film, But for the first time I saw clippings’ at the end of the film..The Director Vijay … deserves it for his wonderful screenplay with one and only love (nothing else) with all characters throughout the script.. Even he has made the audience to feel it in depth with… he has made wonderful script of love..to be experienced by all from a wonderful lovable character. It doesn’t even feel like a film..it gives us the feel it has, as if we have travelled all through with the characters. He has given the script the humor sense with Good dialogues and so minute repeated lovable things…. There were so many sensational touches all though the script explaining the value of love….It has made as made us to shed our tears at some point…. Really it’s a Hats off to the director. The director has proved his talent with his wonderful output from the child artists… it’s so amazing and lovable to see such frames of the baby and its growth… so cute and lovable it is… really it can be enjoyed once again…Vikram (Krishna) has reached the extent of his performance.. He himself is breaking his benchmarks and setting him a new benchmark… amazing and undone performance in the field..The entire industry can give an appreciation for his dedication to acting…Next Sarah(Nila…poetic it is as the name emphasis)…another important character in the script… is so poetic and lovable to see her on screen.. Wonderful and matured….lovable performance…. So nice to see her cute expressions…. Missing that in the second half… But the story needs it in that way.. Nothing more to describe about other characters… Everybody (Santhanam, Anushka, Amala, Nasar, M.S.Baskar)l has done their part as remarkable…. It’s a wonderful experience after a long back from Tamil Industry… made my eyes wet….

Sure you have to Experience the feel of love…

Urs

Pandi

180

Hi,

180..... a bilingual Romantic track of entertainment ...comeback from Siddarath after a long .. with Ad film director Jayendran.with his ad sense , the film has been come up with different color(costumes,Background,frames..) and the way he has brought up it to screens was also so new and its so different to watch it....Songs has been framed up in a new flavor and its a visual treat over screens ..retaining us on our seats.An applause can be given to the new director for his new trials over the screens.The track has been well handled over the screens in the first half..with full of romance and comedy... even the flashback has also been shown in a different way... not as usual films.The name 180 describes the life span(180 days) of a character in the film.

Love sequence.. both with Nithya menon and Priya Anand....has been handled with equal importance not as usual.Both has scored up well from us with their expressions in romantic sequence.. as if we cant leave both from appreciating for their performance in expressing love.Chemistry of Siddarth and Priya has been simply superb.Its so lovely to watch them as a pair. Each and every scene has been screened in a different look...that has made the second half sadness to be overcome d... with its different screenplay.Even there is no separate comedy roles in the film.. that has also been brought up so minutely all over the scenes through all characters in the film. In the same way the one line which the director tries to convey regarding the life of person after knowing his death day ......is also well emphasized all through the script... and at the same time it has also affected the second half as if it bores a little.The screenplay as if it has been done in a differnt way ... nothing it goes as predicted by the audience.. it maintains the audience in a mood of ecstasy and expectancy.each and every one has to Enjoy the present day even if death day is tomorrow...is the pakka message..Entirely it can be watch for its colored Romantic Musical treat...

Urs

Pandi